Michele Hundley: Make-up Artist

Training and Experience

Michele has years of industry experience and is capable of managing large productions with teams of artists. She is also available with more personal touch at high-end weddings requiring perfection. Below is a small sampling of training and experience Michele has in the industry:

Film and Commercial Make-up:

High Definition Commercial by Brighthouse Networks
HD Key Make-up Artist

Multiple Projects w/ Darden Restaurants
Red Lobster, Olive Garden, Longhorn Steakhouse, Capital Grille
Key Make-up Artist
Live National Television, Internet, and DVD

ASGE Medical Video by Plum Productions
Key Make-up Artist

Corporate Video Production by Photo News Media
Key Make-up Artist
Application for film/television

Untitled by TaJ Productions
Key Make-up Artist
Application of special effects and injury simulation

TD Ameritrade Corporate Media Event
Key Make-up Artist

"TGI Fridays" by ADM Productions
Key Make-up Artist

"Jack and the Demon" by Strikes Midnight Studios
Key Make-up Artist
Application of prosthetics and special make-up effects

21ST Century Learning Solutions
Key Make-up Artist

"Going Down"
ER² Productions
Key Make-up Artist

Print and Fashion Photography Make-up:

Absinthe(TM) Promotion at The Grand Bohemian w/ BF9 Media
Key Make-up Artist
High Fashion Glamour Makeup

Evidence Photographers International Council (EPIC) Event
Key Make-up Artist
Application of injury simulation

Altamira Photo Shoot
Key Make-up Artist

Gartner Symposium/ITxpo
CEOs of Microsoft and Dell
Steve Ballmer and Michael Dell
Key Make-up Artist

Entertainment Make-up:

Samsung Corporate Event
Key Make-up Artist
Application of character make-up and effects

Nike Corporate Event
Key Make-up Artist
Application of advanced age make-up and effects

Sean Connery Impersonation - Creative Media Communications Corporate Event
Key Make-up Artist
Application of special effects and facial hair

CATS
Make-up Artist
Application of character make-up

The Elixir of Love - Opera
Make-up Artist
Application of stage make-up

Nutcracker Ballet
Make-up Artist
Application of special make-up effects

Education:

Joe Blasco Make-up Center East
Professional Make-up Degree

Radford University
BFA Degree

Joe Blasco Professional Make-up Artistry Degree
330 class hours
The following outline describes the Professional Make-up Artistry Program and its components. Beauty, Old Age, Bald Cap, Hairwork, Character, Monster, and Prosthetics. All phases together constitute the Professional Make-up Artistry Program. I. Beauty Make-up Female and male corrective Make-up for all media • Beauty Make-up for motion picture, television, still photography, and theatrical (stage) 55 hrs. • Beauty Make-up for salon application (wedding make-up artistry and similar) 8 hrs. • Classic Beauty Make-up (Straight and clean beauty) 9 hrs. • Classic Glamour Make-up 9 hrs. • Natural High Fashion Make-up and Fantasy Beauty Make-up 9 hrs. Beauty Make-up is broken down as follows: base selection and application, shading application, highlight application, moist or oil base cheek and color glow application, powder application, dry cheek color and color glow area application plus powder mute, iridescent powder punch, eye color or upper lid line shading application, upper lid liner or shading accentuation, actual upper lid highlight application and under-arch highlight application, lower lid line application, eyebrow application, first mascara application (upper and lower lashes), second mascara application (upper and lower lashes), lip line, lip color, lip shading, lip highlighting, gloss application, corrective lip lining and adjustment. II. Old Age Make-up Theory of old age Make-up for motion picture, television, and theatrical (stage) • Theory of aging make-up 6 hrs. • Base or no base 3 hrs. • Shading 3 hrs. • Highlighting 3 hrs. • Wrinkle application (paint) 3 hrs. • Hair graying 3 hrs. • Age marks (Veins, Broken capillaries, Hand Make-up, and Liver spots). 3 hrs. • Rubber stretch and stipple, utilizing deammoniated liquid rubber. 3 hrs. • Removal of old age stretch and stipple and paint and powder. 2 hrs. • Chronological age vs. environmental, health, hereditary, and psychological influences. 1 hrs. III. Bald Cap • Cap selection and manufacturing 1 hrs. • Client preparation before cap Application (lecture) 5 hrs. • Application of cap 15 hrs. • Make-up base and stipple for cap 4 hrs. • Proper removal of cap 2 hrs. • Patching and repair technique 2 hrs. • Shaved Head effect technique 1 hrs.	IV. Hairwork (Beard, Facial Hair) • Preparation of wool and real hair 5 hrs. • Application of beards and chopped hair 17 hrs. • Removal of adhesive shine 3 hrs. • Creating a natural hairline for beards & mustaches with overlay 5 hrs. V. Character Make-up (Injury Simulation) Injury Simulation to include: 1st, 2nd, and 3rd degree burns, cuts, scratches, bruises, black eyes, broken noses, cauliflower ears, sunburned forehead and lips, raised scars, warts, pimples, stipple beard, tooth gold and silver blocking, discolored and rotten teeth, rabid effect, tattoos, bullet holes, compound fractures, blood tubing and rigging effects, and menthol blower technique (tearing effect) Clown and Mime Make-up and Chinese opera Make-up designs • Clown and Mime Make-up and Chinese opera Make-up designs 12 hrs. • 1920s and 1930s period beauty Make-up and Classic Beauty Make-up (1900s) 6 hrs. • Lectures and discussions concerning elves, gnomes, fairies, sprites, witches, and other fantasy characters. 3 hrs. • Lectures and discussions concerning historical characters and make-up design for the Elizabethan theater. 3 hrs. VI. Make-up Production (Career Development) 6 hrs. Topics to include: resumes, business cards, portfolios, set etiquette, coordination of make- up with other departments, how and where to look for work, tracking productions, contract negotiations, and deal memos. VII. Monster Make-up • Frankenstein's monster as done originally by Jack Pierce in 1931. 5 hrs. • Dracula in the style of the Bela Lugosi character. 4 hrs. • Werewolf in the style of the Lon Chaney, Jr. version. 4 hrs. • Mummy in the style of the Boris Karloff version by Jack Pierce 5 hrs. • Original monster creations by JOE BLASCO 4 hrs. • Proper removal of monster Make-up 2 hrs. VIII. Prosthetic Make-up • Taking the facial impression 8 hrs. • Making the positive cast 5 hrs. • Sculpting techniques 12 hrs. • Making the negative mold 3 hrs. • Preparing the closed mold for foaming 4 hrs. • Foaming techniques 6 hrs. • Pouring techniques and curing 4 hrs. • Application of rubber appliance 6 hrs.